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Soul and Spirit in Buddhism
Notes on a Talk by John
Tarrant, May 23, 1998
Meredy Amyx
This talk was part of the second conference on Buddhism in America,
held in San Diego on May 22, 23, and 24, 1998. My notes were taken during
the talk and were transcribed, unembellished and uninterpreted, on September
29, 2002. “Reflections on a Guided Meditation,” written in journal form
that evening, is a description of the thoughts I had while the guided-meditation
portion of the talk was taking place, which appear here as sketchy notes
made during the group discussion that followed.
Kierkegaard (“Sickness unto Death”)
Worst thing about despair is that you’re
unconscious of it
Have to play the music backward and come
back through
consciousness to bring the despair up
and out
We love because we get taken out of ourselves
Fall in love with meditation
The small and the disregarded
The life that we die of
This lifenot the eternal life
This life is good
Soul is the part of us that touches the world |
When you follow a spiritual path, you should really
follow the rules, unless you don’tunless it’s bad for you.
“Soul”and “spirit” are fictional, metaphorical ideas
useful for talking/thinking about life
Working harder at meditationmoment comes when
you move from the engineering model to the artisticsurrender to
it
Psyche is one of the great Western interests
Mediterranean concept
Impermeable:
narcissism
Jesus as bodhisattva
Willing to suffer
Incompleteness is how they connect with us
Redemption through suffering guides Christian motif |
Keatsabout Shakespeare
“negative capability”
entertaining uncertainties, mysteries, doubts without any irritable
reaching after fact & reason
If we go down and in, the up and out will just appear
If we embrace whatever we can’t stand about ourselves, we see that it
comes out of something human
Getting softer on the outside,
stronger on the inside
Light is nothing, but it’s also everything
Humble about extent to which we can understand another
culture
Our psyche is Western
Kuan-Yin looks suspiciously like Isis or Mary
Zen very helpful at beginning of practicestriving
Vipassana in the middle where Zen does not have much to offer
At advanced stage again Zen is very rich
He is trying to bring some of the middle into Zen
We are the imagination of the universe
Zen doesn’t give engineering instrux because later
you just have to get rid of them
Vipassana gives lots of instrux because otherwise people will never
learn them
Both are right
We could let go of the martial aspect of Zen, which was rooted in the
culture
Zen gives so much help with its silence & cushions
that you can get really advanced in meditation and yet still be a jerk.
Good Buddhists s/b interested in the arts of life.
Meditation hall is a laboratory
When you take something from the lab to the outside, you have to learn
different skills
Meditation
This very heart-mind is Buddha
Each branch of coral holds up the moon
Pao-ling:
What is Zen?
snow in a silver bowl
What is [text missing; see note 1]
The clearly enlightened person falls into
a well.
What is the sharpest sword?
Each branch of coral holds up the moon.
Catalysts: enlightenment triggered by something in
the world
For spring to occur, something has to appear
[Personal reactions to guided meditation on the two koans]
Can’t do without qualification
Insisting on the exception
Let the koan fill me except the part that is thinking about it
The part that is thinking about it won’t be still
And so I want to accept every part but the part that is thinking about
it and interfering with the meditation
Don’t seem to be capable of making a true statement about myself
Resist the seduction of the very thing that promises to take me out
of that
And so I want to deal with that by thinking about itas if that
were a way of defeating it
A punishing complexity that I also treasure
1. From this site, found on Google, 9/29/2002: “The Master List of Masters:
A Biographical Concordance” (current as of January, 2001); compiled by
Ven. Jinmyo Fleming ino from the Teachings of Zen Master Anzan Hoshin
(http://www.wwzc.org/translations/masterList.htm):
Baling Haoqian (Pa-ling Hao-chien, Haryo Kokan), 10th
C. A Dharma heir of Yunmen Wenyen, He appears in Blue Cliff Records
13 and 100. See Rhythm and Song: Commentaries on Dongshan Liangjie’s
Jewel Mirror Samadhi, WWZC Archives 1996. He had three turning words
that he used to sum up the transmission: “What is the Path? A clear-eyed
man falls into a well. What is the sword so sharp it can split hairs?
Each branch of coral holds up the moon. What is the House of Kanadeva?
Snow in a silver bowl.” For further on the first phrase, see the Himitsu
Shobogenzo, case 16, involving Sogaku Hakukaze and Anzan Daiko.
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